Unfortunately, while the lyricism remains skillful, clever, and at time quite humorous, and the musicianship and production remain immaculate and perfectly dialed in to this very specific 80s vibe, the songs on Have We Met just don't land like they have on most of Destroyer's previous efforts.
Much is probably due to Bejar's decision to dial down the arrangements on Have We Met, going for a relatively sparer, more intimate feel this time out, like walking in on some local hipster crooning to a near empty bar well after midnight, but whatever the thematic and stylistic intents (I suspect generating a sense of ennui was one of Bejar's specific goals), the end result is one of Destroyer's least impactful releases.
That said, there are still enough decent songs like opener Crimson Tide, the funky throwaway Cue Synthesizer, the instrumental title track with its late night vibe, and the melodic closer foolsong to almost justify, when combined with the ace production, giving Have We Met a low solid recommend, but the meh-ness of most of the rest of the material is ultimately too much to overcome.
So definitely a decent enough effort to recommend for established fans, but if you are new to Destroyer, with past releases like Rubies, Kaputt, and Poison Season out there, there are much better albums with which to start.
Cherry Picker's Best Bets: Crimson Tide, Cue Synthesizer, Have We Met/The Man In Black Blues, foolssong.
1. Crimson Tide - 8
2. Kinda Dark - 7
3. It Just Doesn't Happen - 7
4. The Television Music Supervisor - 5
5. The Raven - 7
6. Cue Synthesizer - 8
7. University Hill - 6
8. Have We Met - 8
9. The Man In Black Blues - 7
10. foolssong - 8
Intangibles - Below Average
Here's a video of the album's best song Crimson Tide, which perfectly captures the albums "crooning to an almost empty bar well after midnight" vibe.